ICG Magazine

There’s No Place Like Home

Cinematographer Robert Presley leads a team of ICG camera operators for Disney’s new 3D performance capture kid-flick, Mars Needs Moms…

14 years ago

Stranger Than Paradise

Oscar winner Guillermo Navarro, ASC, AMC, brings the otherworldly down to earth for the sci-fi thriller I Am Number Four…

14 years ago

Stung Again!

Radio show, comic book, TV series: The Green Hornet is back!  (more…)

14 years ago

Pas de Deux

Matthew Libatique, ASC, and Darren Aronofsky look into the mirror for the dark new dance thriller Black Swan (more…)

14 years ago

Friendsters

In their first theatrical re-teaming since Fight Club, Jeff Cronenweth, ASC and David Fincher recount the founding of the world’s…

14 years ago

The Deep End

Mott Hupfel wades into the ever-shifting waters of love and friendship for Philip Seymour Hoffman’s indie drama Jack Goes Boating…

14 years ago

Letters From Home

Operation Gratitude/Women In Film’s PSA Program (more…)

14 years ago

Local Knowledge

The real Manhattan shines through in the summer rom-com The Switch (more…)

14 years ago

Darkest Nights

Wally Pfister, ASC, and Christopher Nolan implode cinematic boundaries again for their dreamy new thriller, Inception (more…)

14 years ago

The Wild Bunch

Mitchell Amundsen and crew capture horses, ironclads, and all that jazz for the New Orleans shot sci-fi Western Jonah Hex…

14 years ago

Song Of The Forest

John Mathieson, BSC battles the elements to bring Ridley Scott’s Dark Ages epic, Robin Hood, out into the sunlight (more…)

15 years ago

Quiche or Chaos?

Dean Semler, ASC, ACS, lights up New York town for the new action/comedy Date Night (more…)

15 years ago