AFTER EARTH DP Peter Suschitzky, ASC, BSC by Ted Elrick THIS IS THE END Brandon Trost by Kevin H. Martin REAL TV by Pauline Rogers 2ND UNIT DP DIARY FISTS OF FURY FLASH FRAME: Ron Hersey ON LOCATION: Louisiana GEAR...
IMAX filmmakers take large screen format (and celluloid) to infinity and beyond. By Kevin H. Martin. Photos courtesy of IMAX & MacGillivray-Freeman Films. If Aristotle was right that nature abhors a vacuum, then the debut of large-format venue IMAX in...
STAR TREK INTO DARKNESS DP Dan Mindel, ASC by Matt Hurwitz JAYNE MANSFIELD’S CAR DP Barry Markowitz, ASC by Pauline Rogers DOWN ‘N PRETTY by Valentina Valentini SIZE MATTERS: LARGE FORMAT CINEMA DIM & DIMMER BOOK REVIEW FIRST LOOK: Bradford...
After the success of Alien, in 1979, director Ridley Scott became involved in an attempt to adapt the science-fiction classic Dune to the big screen. In attempting to convince acclaimed fantasist Harlan Ellison to pen the screenplay, Scott remarked, “The...
42 DP Don Burgess, ASC by Matt Hurwitz GRIMM DP Marshall Adams, ASC by Pauline Rogers OBLIVION DP Claudio Miranda, ASC by Kevin H. Martin GAME BOYS SUNDANCE 2013 REPLAY: Lords of Salem REFRACTION: Thad Beier GEAR GUIDE: New Tech...
ECA winners mingle with new indie directors at Technicolor event By Valentina I. Valentini Building a career as a cinematographer is no easy task. Great visuals are often overlooked if the project is poorly reviewed or little seen. When a...
Peter Deming, ASC soars over the native 3D rainbow for Oz: The Great and Powerful roughly ten years after the release of the 1939 musical The Wizard of Oz [shot by Harold Rosson, ASC]...
