A new feature version of the Broadway hit (and, before that, Hollywood box office smash) recently debuted on screens: head back to high school with Mean Girls (the musical). by Pauline Rogers / Photos by JoJo Whilden/Paramount Pictures Let’s face...
Local 600 camera teams head up to Park City with stories of reconciliation, remembrance, and renewal to unpack. by David Geffner / Photos Courtesy of Sundance Institute Unless Otherwise Noted It’s been a tough few years for the U.S....
Director of Photography Jay Hunter, and his Guild camera team, shoot a “comedy with everything on it,” for a sequel to the whacky 1990’s feature, Good Burger by Pauline Rogers / Photos by Vanessa Clifton/Nickelodeon/Paramount+ “I’ve never shot a...
Pete Kozachik, ASC, was that rare filmmaker whose creativity and technical knowledge matched a drive for innovative storytelling. by Jimmy Matlosz / Photos Courtesy of Katy Kozachik/Anthony Scott I met Pete Kozachik, ASC, (a 30-year member of this Guild)...
Oscar-winner Erik Messerschmidt, ASC, draws a bead on the mind of an assassin in David Fincher’s The Killer by Kevin Martin / Screengrabs Courtesy of Netflix Consider this promotional material for the 1969 assassin-at-a-crossroads film Hard Contract: “Everything they do...
The 2023 class of ECA honorees has a lot to say about how A.I. (and other new technologies) will impact their craft, along with strong words of solidarity for the ongoing work actions staged by their union brothers and sisters....
Nicolas Cage “leaves” Las Vegas in a big way, thanks to ICG Director of Photography Steve Holleran and his facility with the LED Volume (on an indie budget, no less!) by Kevin Martin / Photos/Screengrabs Courtesy of Steve Holleran/RLJE Films ...
