FX’s hit series sashays into Season 2 with more than just creative momentum – it’s become a life-changing experience for the many Local 600 members behind the lens. by Margot Carmichael Lester You could look at the FX hit Pose,...
Jon Favreau and VFX Supervisor Rob Legato, ASC, revisit (a virtual) Africa for another Disney classic, The Lion King, shot by Caleb Deschanel, ASC. by Kevin H. Martin Walt Disney Feature Animation’s The Lion King was among the early...
Meet the Union Workers Who Are Creating a Culture of Safer Sets Every Single Day. by Pauline Rogers Experts agree on this point: when it comes to safety, the film and TV industry has been complacent for too long....
Guild DP Jim Frohna and director Andrea Arnold probe “what lies beneath,” for Season 2 of HBO’s runaway hit, Big Little Lies. by Matt Hurwitz Jim Frohna emerges from the bedroom of Celeste Wright (Nicole Kidman), having just captured...
CBS TV’s new drama, The Red Line, shot by Kira Kelly, visualizes the impact of a police shooting on three different American families. by Pauline Rogers Bringing their play, A Twist of Water, to an episodic series was an...
Inclusivity Behind The Lens Is A Powerful # These Days – Here are two voices from the Netflix series, On My Block, to help deepen the conversation by Margot Carmichael Lester / Photos by Nicola Goode, SMPSP I don’t remember when...
CBS TV’s reboot of the classic 1980s crime series Magnum P.I. provides plenty of thrills, chills (in the water) and near-spills for its Hawaii-based Guild camera team. Photos by Karen Neal Fans of 80’s TV will recall, with some wistfulness, the...
