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Rise of the Machines

The 2023 class of ECA honorees has a lot to say about how A.I. (and other new technologies) will impact…

1 year ago

Drive, He Said

Nicolas Cage "leaves" Las Vegas in a big way, thanks to ICG Director of Photography Steve Holleran and his facility…

1 year ago

They’re Back!

In-person gatherings of HPA and NAB 2023 confirm the industry's technology footprint has touched back down with hefty numbers and…

1 year ago

Anything is Possible

The 60th Annual Publicists Awards "gives back" love and recognition to the union members who have given everything to their…

1 year ago

Carmageddon

Sporting a distinctive visual aesthetic established by Guild Director of Photography Jay Hunter, NBC's American Auto roars off in high…

2 years ago

Camp Sundance

Park City's indie playground welcomes Local 600 members (and ICG Magazine staffers!) in person for the first time in three…

2 years ago

What Dreams Are Made Of…

Kramer Morgenthau, ASC, fulfills a career highlight with the musical holiday romp, Spirited. by Pauline Rogers / Photos by Claire…

2 years ago

All Things Go

Guild Lighting Designer Tom Sutherland on crafting the look for Nicki Minaj's 2022 VMA performance. by Pauline Rogers / Photos…

2 years ago

Stars of Comedy

Sitcom specialists talk about how much the genre has changed in recent years.  by Pauline Rogers   When Donald A.…

2 years ago

ECA 2022 Honorees

With COVID (hopefully) in the rear-view mirror, the only awards event devoted to new cinematographers returns to an in-person gathering. …

2 years ago

Skin Deep

Andrew Dominik waited 14 years to get Blonde made; his new Netflix feature, shot by Chayse Irvin ASC, CSC, renders Hollywood's…

2 years ago

Child’s Play

Director of Photography Matthew Williams leans into his long-time filmmaking partners to visualize the new Apple TV+ series, Amber Brown.…

2 years ago