www.quantel.com
As the line between production and post continues to disappear, NAB is the perfect venue for cinematographers to research the latest color correction technology. Following nine months of intensive development, QUANTEL introduced the NEO color correction control panel for their Pablo color system. Designed and developed in conjunction with some of the world’s top colorists, the Neo panel takes color correction to the next level. Its simple and uncluttered layout gives fast access to Pablo’s fully featured grading toolset, and has been designed to look great in any grading suite.

www.gammadensity.com
GAMMA & DENSITY, who create tools for cinematographers to help maintain control over their images, introduced their 3cP on-set color correction system for cinematographers. 3cP enables cinematographers to precisely preview and communicate color decisions to colorists in the post-production process, whether they’re producing dailies, doing pre-post, matching special effects or performing the final color grade for the DI. Cinematographer Rodrigo Prieto, ASC, AMC is currently using the system for the upcoming feature State of Play.

www.digitalvision.se
DIGITAL VISION, a provider of picture enhancement systems for film and television post-production, showcased the latest version of its Film Master grading and finishing system, v3.6, and gave a first look at their FILM MASTER 4.0, which has real-time 4K capabilities and a new render accelerator, Turbine. With Film Master v4.0, facilities will be able to begin editing, conforming, grading, and finishing 4K material instantly, without any ingest delays, saving time and storage costs. Unlike 8-bit or 10-bit processing, which can produce crushing and banding in low-detail areas of the color space, Film Master v4.0’s floating point processing will not clip, crush, or generate banding when performing extreme grading or lighting changes.